Skip to main content

Journey


Life's a journey and not a destination. Or something like that said by someone around 1920.

Once upon a time, I traveled weekly on a regional train back and forth to New York City. It was usually early morning or later evening, sometimes alone and sometimes accompanied for part of the trip by a friend through serendipitous timing (regional train travel has a regular crowd).

The trip consisted of a series of intervals spent in front of computer screens, alternating between laptop and smartphone, punctuated by window gazing - at least when the sun provided visibility. General restlessness pervaded the trip because the time sitting on a train was a coda, a moving way station before important business meetings or a drive home.

The time passed methodically, as long as the train was not delayed or slowed by deer. Sometimes, other passengers started conversations, but I was more content to sit alone and pass the time without talking, hearkening thoughts.

This routine offered insight into an inner world of hopes and anxieties, the kind of thoughts that a typical busy day crowd out of the mind. The moments of window gazing somehow awakened this inner world, unlocked from the subconscious where these thoughts typically hide in the shadows. Interesting to note that the inner world thrived most readily in the times of soft light, window gazing at dawn and at dusk when the day is most pregnant with possibility.

My mind returns to this state as I embark on another sort of journey this year, reminding myself to dream and to grow, reclaiming the inner world and harnessing its ability to unveil insights out of reach from the everyday. 

I end this reflection with words from Alain de Botton whose delightful book, Art of Travel, shares a similar take on power of a trip to evoke thinking.

“Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do. 
At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestic setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are. 
If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.” ― Alain de BottonThe Art of Travel

Comments

Popular posts from this blog

New York Pause

Heading to the Helmsley Sometimes I work in NYC, and this is my office.  More precisely, there is a desk in the upper floors of this distinctive building that has a major thoroughfare running through it that I inhabit while typing up documents and conducting meetings in the city.  It is nothing exceptional, usually the work and sometimes the desk at which I sit, but the surrounding city is commanding, ever-thriving, and never-still. If I pay close enough attention, I am reminded of the countless things that make this city unique among the many cities I have had the pleasure to live in and visit.  But on this brisk morning, when winter gusts barrel down Park Avenue as I hustle the blocks from Lex to the building entrance security guards, I pause long enough to snap this picture.  That pause is enough reminder that I am lucky to be here, and New York City is ready to give me its best shot (I'm still not sure if the city is better personified male or female).  But that is all t

Party Like It's 1999

A coworker sent me a meeting invitation to the end of the world.  Fitting.  I'm not sure if I should accept or not (suppose it depends on your views of the end of the Mayan calendar ), but somehow it reminded me of the Prince song on a related subject . Fitting as well that this coworker was not born when Prince extolled the virtues of partying like it's 1999 (side note: I did party like it's 1999 while studying abroad in Milan at that time, which was a heady experience with the coming of the Euro and all.  How times have changed, how the mighty have fallen...).  Time change, sometimes faster than we think, and our cultural references become dated.  Perhaps just like the Mayan calendar falling out of fashion over the last few centuries, until its end becomes a modern cultural phenomenon - or not, depending on your view of things. In either case, it's worth partying like it's 1999 regardless because hey, it will be Friday when this all goes down, and Fridays

A Little Bit of Proust

Somehow I started to read Proust. The blame goes to Alain de Botton , a writer whose witticisms deconstruct modern thinking and make intellectualism seem but a trifle and a whim. He wrote a book in 1997 called "How Proust Can Change Your Life" which distills the enigmatic French novelist into a self-help dispenser of pithy ideas. How clever I found Mr. de Botton to be when I dipped my toe into the vagaries of Proust; I picked up volume one of "In Search of Lost Time" and instantly fell into the deep end. What author dares to run sentences onward into the stratosphere that sometimes seemingly mellows behind the stars of a bright night, but never so much as an introspective person that wretches for the meaning of a simple thought, sometimes stumbling, but always emerging strongly as that same night in starry sky, almost an homage back to Van Gogh, whose rich paintings greatly represented the mood of a generation - and generations often afford a few mis-steps in l